The Year 2024
2024 has been a testament to art’s indomitable spirit, as galleries and museums worldwide have not only showcased exceptional talent but have also challenged and expanded the very boundaries of cultural discourse. This year’s offerings are a reminder that the beauty of the world, the essence of humanity, and the small mercies offered by animals and nature are nothing short of magnificent. In this journey, a growing determination arises: to create, to leave a legacy of feminine existence and awareness, and to honour every sentient being as we admire and are inspired by this world.
Frieze London 2024: A Confluence of New Voices and Established Icons
This year’s Frieze London brought a vibrancy only it could deliver, showcasing a confluence of contemporary voices alongside legendary names. Highlights included Yinka Shonibare’s interactive piece, Textiles of Diaspora, a tactile exploration of migration and identity that invited viewers to immerse themselves in Shonibare’s signature vibrant patterns. Equally impactful was Anicka Yi’s Fluid Frontier, which melded organic materials and synthetic elements, creating a reflection on humanity’s complex relationship with technology and nature. The fair’s strong emphasis on ecological and identity themes resonated deeply, affirming Frieze’s status as a stage for the world’s most daring creative explorations.
Saatchi Gallery: Asian Influence and New Global Wealth in Art
In 2024, Saatchi Gallery took a bold step in foregrounding the influence of Asian creators and collectors with its New Eastern Visions series, which featured works by prominent and emerging Asian artists. This series explored the nuanced ways in which modern Asia’s wealthy elite are shaping the global art market—not only as collectors but as influential creators themselves. Works from Chinese multimedia artist Zhao Ling played with ideas of wealth and tradition, blending ancient symbolism with a futuristic aesthetic. Meanwhile, South Korean artist Joo Yun’s Inescapable Patternsmesmerised audiences with its fractal designs, evoking themes of order and chaos. Saatchi’s exhibitions have offered a compelling glimpse into the Asian art world’s increasing prominence and complexity, as well-heeled Asian patrons and artists continue to make profound inroads into Western art circles.
The Metropolitan Museum of Art: A Dive into Global Narratives
This year, the Metropolitan Museum of Art in New York brought forth Worlds Reimagined, an ambitious collection of works that spanned centuries and continents, encouraging viewers to consider art as a living, breathing chronicle of global history. Among the most celebrated pieces was a rare 16th-century Japanese silk tapestry, its vibrant hues still remarkable, presented alongside digital interpretations by modern Japanese artists. Another highlight was Metropolis, a sprawling installation by Ghanaian artist El Anatsui, created with recycled materials and woven into an intricate structure. With its commitment to amplifying diverse voices, the Met has seamlessly connected ancient and modern worlds in ways both harmonious and provocative.
LA Art Fair 2024: The West Coast’s Avant-Garde Showcase
The LA Art Fair has solidified itself as the prime destination for avant-garde and emerging art. Standout exhibitions included The Resurgence of the Physical by multidisciplinary artist Sofia Calderon, whose immersive installations asked viewers to reconsider the boundaries between virtual and physical realms. Another acclaimed highlight was Waves of Memory, an exhibit by Mariko Higa that used augmented reality to overlay historical events onto modern landscapes. The fair’s emphasis on new media art, interwoven with more traditional works, is a testament to Los Angeles' role as a hub for artistic innovation, fusing digital prowess with emotional depth.
Flux Exhibition in Marylebone: An Independent Art Movement’s Celebration
This year’s Flux Exhibition in Marylebone marked a memorable July, with my own contributions among a bold and experimental collection. Reflecting on diverse themes, the exhibition featured everything from multimedia installations to interactive works that challenged audience engagement. Noteworthy pieces included Inner Rhythms by Hannah Rosen, a kinetic sculpture inspired by sound waves and natural rhythms, and Fragmented Narratives by James O’Shea, which layered urban scenes and surrealism to evoke the fragmented nature of modern identity. The Flux Exhibition reminded viewers of the continued vitality of London’s independent art scene, unafraid to push artistic conventions and bring fresh voices into the spotlight.
The Boomer Gallery, London: Personal Milestones in March
My participation at Boomer Gallery this past March remains a cornerstone of 2024’s personal milestones. It provided a platform to share my own reflections on identity and transformation with an engaged and discerning audience. The Boomer’s focus on new and experimental work allowed for bold self-expression, and I was inspired by the feedback and dialogue that arose around my pieces. As ever, Boomer’s atmosphere, with its avant-garde ethos, pushed artists and viewers alike to reimagine and reinterpret their worlds.
The Evolving Art Scene in Mexico: A Fusion of Heritage and Innovation
Mexico’s art scene has experienced a renaissance this year, with galleries in Mexico City and Guadalajara amplifying voices that bridge indigenous heritage and contemporary concerns. Memory and Revolution, an exhibit at Museo Jumex in Mexico City, featured installations by Tania Candiani that wove together textiles, sounds, and oral histories, invoking the memories of indigenous and mestizo communities. Another exhibition, Ríos de Sangre at the Museo de Arte Moderno, examined the Mexican Revolution's impact on modern identity through the eyes of contemporary Mexican artists, creating an evocative dialogue between past and present. This year, Mexican art has continued to assert itself on the global stage, underscoring the nation’s vibrant cultural resilience.
The Roman Art Scene: Echoes of History and Modernity
In Rome, 2024 has seen an impressive array of exhibitions exploring the interplay of ancient and modern themes. The Galleria Borghese presented Nature’s Ephemeral Palettes, a collection juxtaposing classical sculptures with eco-conscious contemporary installations by Italian artist Chiara Fumai. At MAXXI, The Algorithm and the Brush illustrated the dance between technology and tradition, with Vera Montclair’s algorithmic watercolours questioning the boundaries between creator and machine. Meanwhile, Echoes of Empire at the Galleria Nazionale d'Arte Moderna has brought fresh interpretations of colonial legacies, featuring bold pieces like Mariana Neumann’s map-inspired installations. In a city where the past and present converge so seamlessly, Rome’s art scene this year has been a beacon of introspective and innovative energy.
Tate Britain, Royal Academy, Tate Modern, and Courtauld Gallery: The Best of London
Tate Britain has celebrated British heritage with “The Return to Form,” a retrospective revisiting figurative painting through mid-20th-century British artists. Meanwhile, Tate Modern showcased States of Belonging, a potent exhibition probing identity and social justice, featuring works from Idris Al-Hazim and Mariana Neumann. The Royal Academyoffered transformative retrospectives on Magdalena Abakanowicz and David Hockney, while the Courtauld Gallery re-envisioned Impressionist Icons, presenting Cézanne, Degas, and Monet alongside modern interpretations by artists like Lubaina Himid and Flora Yukhnovich. Each institution has been pivotal in reaffirming London as a premier destination for cultural engagement and artistic excellence.
The London Art Fair 2024: Contemporary Highlights
This year’s London Art Fair offered remarkable pieces, balancing classic and contemporary works with great resonance. Standouts included Alice Neel’s Portraits in Protest and Anna Freeman’s Urban Reverie, alongside innovative pieces in the Emerging Artists Pavilion like Dominique Roberts’ Celestial Boundaries. The Fair, as always, affirmed its role as a dynamic hub in London’s art scene, where tradition and innovation meet.
A Personal Note: The Quest for Renewal
On a deeply personal level, this year has posed trials that were as overwhelming as they were inescapable, leaving me for months without the words to express the enormity of the struggle. I found myself paralysed, unable to articulate the weight of the experience. Yet, as the year draws to a close, I find a resilience, fragile yet resolute, emerging within. My faith in the Creator, unshaken by the setbacks, continues to guide me as I gather strength. As I move forward with renewed objectives for my art, I am determined to create a legacy of feminine existence and awareness—an offering of love for all sentient beings. The quest is now to find new vocabularies, to reimagine my world, and in so doing, perhaps contribute to a re-envisioned world for us all.
As we traverse the globe from the venerable galleries of London to the pulsating art scenes of New York City, Los Angeles, and Rome, a suite of exhibitions stands poised to redefine the artistic landscape in 2024. These gatherings of creativity not only showcase the pinnacle of artistic endeavor but also offer a dialogue with history and a gaze into the future. Let us consider the noteworthy exhibitions in these illustrious cities: London: Saatchi Gallery: "Post-Modern Pantheon" In October, this exhibition explores the legacy and continued influence of post-modernism across various media. It juxtaposes post-modern art with classical forms, inviting a contemplation on how irony, pastiche, and a questioning of grand narratives have reshaped contemporary art. New York City: The Metropolitan Museum of Art: "Transatlantic Modernisms" Opening in April, this exhibition examines the cross-currents of artistic influence between Europe and America during the early to mid-20th century. It features works from artists who bridged the Atlantic with their innovative approaches, shaping what would become cornerstone movements in both regions. Whitney Museum of American Art: "American Realities" In July, the Whitney presents a poignant exploration of American life through the lens of contemporary documentary photography and multimedia installations, reflecting on social issues and the diverse landscapes of American identity. Los Angeles: Los Angeles County Museum of Art (LACMA): "Cinematic Shadows" Launching in August, this exhibition explores the intersection of film and visual art, showcasing how cinema has influenced modern and contemporary art forms. It features collaborations between filmmakers and artists, and displays pieces that highlight the narrative techniques shared by both fields. The Broad: "Echoes of the Sublime" In December, The Broad examines the concept of the sublime in contemporary art, showcasing works that provoke awe, terror, and wonder, redefining the sublime for the modern age with immersive installations and large-scale paintings. Rome: Galleria Borghese: "Baroque Brilliance" This November, the Galleria Borghese offers a deep dive into the Baroque period, presenting a curated collection of paintings and sculptures by masters such as Caravaggio and Bernini. The exhibition highlights the theatricality and dynamic movement that define the Baroque style. MAXXI: "Architectural Dialogues" In September, Rome’s museum of 21st-century arts, MAXXI, focuses on contemporary architecture’s responses to historical contexts. Featuring innovative projects from around the world, it examines how modern designs dialogue with and within ancient cityscapes. These exhibitions represent more than just opportunities to view art; they are educational journeys, reflective practices, and cultural celebrations that connect viewers with artistic traditions and contemporary movements across the world. Each city brings its own unique flavor to the global art conversation, ensuring that 2024 remains a vibrant year for cultural exploration and appreciation. - -
Judging an Art Exhibition. Evaluating artistic excellence within the context of an art show is an exercise of discerning judgement, predicated upon a confluence of established criteria that resonate with both the historical canon and contemporary innovation. As a professor, historian, and curator, one must approach such an evaluation with a framework that is both rigorous and enlightened. Conceptual Integrity: This fundamental criterion assesses the depth and coherence of the ideas underpinning the artworks. An excellent piece must not only embody a profound concept but also articulate this concept through a medium that enhances and complements the artist's vision. The piece should invite intellectual engagement and provoke contemplation, encouraging the viewer to question and explore. Technical Proficiency: Mastery over one's chosen medium is imperative. This includes the skillful application of techniques and materials to create works that are not only technically flawless but also innovative. The craftsmanship involved should demonstrate a high level of artistry and a deep understanding of the medium's possibilities and limitations. Aesthetic Merit: While aesthetics may be subjective, the visual impact of an artwork is undeniable. This involves an appraisal of composition, color, form, and overall visual harmony. An artistically excellent work should possess a distinctive style or aesthetic appeal that distinguishes it from mundane creations and captures the viewer's visual and emotional faculties. Originality and Innovation: Artistic excellence demands a departure from the derivative and conventional. The work should exhibit originality in thought and execution, challenging existing paradigms and introducing new perspectives or techniques. Innovation is not merely the use of new materials or methods, but also the ability to impart fresh insights and evoke new responses from the audience. Contextual and Cultural Relevance: Excellent art resonates with its cultural and historical context. It reflects or critiques societal norms, values, or issues, connecting with broader dialogues beyond the art world. This relevance may be rooted in the socio-political climate, cultural identity, or shared human experiences, thereby enriching its value and significance. Emotional and Intellectual Engagement: Finally, the work must engage the viewer on multiple levels. This includes the capacity to elicit a strong emotional response or to intellectually challenge the audience. The art should leave a lasting impression, altering the viewer's perceptions or enriching their understanding of a subject. By adhering to these criteria, one ensures a comprehensive and nuanced evaluation of art, worthy of the scholarly and cultural discourse that surrounds esteemed art exhibitions. These benchmarks not only guide the selection of works that epitomize artistic excellence but also uphold the integrity and prestige of the curatorial practice. The presentation of artwork, including framing and other aspects of display, plays a critical role in the evaluation of artistic excellence. In the realms of fine art exhibitions and critical reviews, the manner in which art is presented can profoundly influence its reception and interpretation. Effective presentation enhances the inherent qualities of the artwork, ensuring that it is viewed under optimal conditions and from the most advantageous perspectives.
CREATIVITY. Ah, creativity, a most splendid and enigmatic concept, often discussed in the hallowed halls of academia and the vibrant studios of artists. To encapsulate its essence in mere words is akin to trying to capture the ethereal beauty of a sunset within a single brushstroke. Yet, let us endeavor to do so with the intellectual rigor and artistic sensitivity that this topic deserves. Creativity is the sublime act of transcending traditional ideas, rules, patterns, relationships, or the like, to create meaningful new ideas, forms, methods, interpretations. It is akin to a mental alchemy, where the mundane is transmuted into the extraordinary. In the realm of art, creativity is the brushstroke that defies convention, the color palette that speaks in a language yet unheard, the sculpture that challenges our perception of space and form. In the scholarly world, creativity is the birth of a hypothesis that challenges conventional wisdom, the formulation of a theory that reshapes our understanding of the universe, or the penning of a literary work that forever alters the landscape of literature. It is an intellectual voyage into the unknown, charting courses through unexplored territories of thought and understanding. At its core, creativity is not just the creation of something new, but the ability to see the world through a lens of boundless possibilities. It is a dance of the imagination with reality, where constraints are but stepping stones to innovation. Creativity thrives on curiosity, a relentless questioning of the status quo, a tireless pursuit of what could be rather than what is. Furthermore, creativity is not the sole province of artists, scholars, or inventors. It is an intrinsic attribute of the human spirit, manifesting in myriad ways in every individual, whether it be in the kitchen of a home, in the strategy room of a business, or in the day-to-day problem-solving that life demands. In conclusion, creativity is the essence of human ingenuity, a force that propels us forward, ever seeking, ever striving, ever reinventing the world around us and within us. It is, indeed, the very heartbeat of progress and the soul of artistic expression. Abstract Art, you see, is the eschewing of direct representation. This form of art does not seek to accurately portray visual reality but rather uses shapes, colours, forms, and gestural marks to achieve its effect. It's akin to a poetic abstraction from reality, where the essence of a subject is captured without depicting its physical form. Imagine, if you will, a canvas where emotions and ideas are expressed through a symphony of color and form, untethered by the constraints of realistic representation. I have explored all realms of representation, abstraction, and figurative art indeed! Figurative Art, on the contrary, represents a stark contrast. This genre embraces the depiction of real objects or subjects. It is grounded in the real world and often portrays human figures, still life, or landscapes. The skill in this art form lies in the artist's ability to breathe life into these representations, capturing not just the physical likeness but the very soul of the subject. Representational Art is a term often used interchangeably with figurative art, yet it encompasses a broader spectrum. It refers to all art that depicts recognizable objects or subjects. However, it is not limited to realism. For example, an artist might choose to represent a landscape in a whimsical or stylized manner, yet it remains identifiable as a landscape. This form of art is a dialogue between reality and interpretation, where the viewer can discern the subject matter through the artist's lens.
Abstract Expressionism, ah, a movement close to my heart, is a splendid blend of emotion, spontaneity, and often tumultuous expression. Originating in the 1940s and 1950s, this movement was a rebellion against traditional art forms, emphasizing a non-representational approach. Artists like Jackson Pollock and Mark Rothko championed this style, where the canvas became an arena to express emotions and deep-seated feelings. The art produced under this banner is visceral, often created through aggressive brushwork, drips, and splatters, making the act of painting as significant as the finished work itself. In essence, my dear, these forms of art are different languages through which artists communicate their innermost thoughts, feelings, and perceptions of the world. Each has its unique charm and complexity, akin to a splendidly curated gallery of human expression. #creativity #art #abstract #figurative #representational #abstractexpressionism #marcelaoliviadorantes
Mark Rothko
Jackson Pollock
EXHIBITIONS ART IN 2023
The art world of 2023 was indeed a cornucopia of historical revelations and contemporary expressions. At the heart of these revelations was the astonishing discovery of Artemisia Gentileschi's "Susanna and the Elders" at Hampton Court. Hidden in plain sight and misattributed for centuries, this painting's re-emergence not only redefined Gentileschi's oeuvre but also shed new light on the narrative of women in art history.
In parallel, the legacy of Joshua Reynolds was re-evaluated and celebrated, marking the 300th anniversary of his birth. His influence as the first President of the Royal Academy and his contributions to the canon of British art were deeply explored, notably through an exhibition at The Box in Plymouth. The joint acquisition of his "Portrait of Mai" by the National Portrait Gallery and the J. Paul Getty Museum further exemplified the enduring relevance of his work.
2023 was also a year that saw a remarkable array of art fairs across the globe. From Art Basel in Hong Kong to Art Paris, Enter Art Fair in Scandinavia, Investec Cape Town Art Fair, Market Art Fair, and EXPO CHICAGO, these events celebrated a diversity of contemporary artworks and attracted a global community of artists, collectors, and enthusiasts. They were crucial in shaping the art market and cultural discourse of the year.
Major exhibitions around the world also left indelible marks. "Bob Thompson: This House Is Mine" at the Hammer Museum, for instance, revisited Renaissance masterpieces with a contemporary perspective. The Museum of Modern Art's "Georgia O’Keeffe: To See Takes Time" highlighted her innovative works on paper. In Tokyo, Hiroshi Sugimoto’s retrospective at the Shoto Museum of Art combined his photographs with historical artifacts, presenting a unique dialogue between past and present.
Surrealism, a movement with its roots in the early 20th century, experienced a significant resurgence in 2023. This renewed interest was evident in several museum exhibitions and permeated various forms of visual culture, from galleries to films. It reflected a collective sentiment of our times, commenting on the complexities and absurdities of the modern world
As the year 2023 comes to a close in the art world, a most exhilarating period indeed! It was a year that saw the confluence of traditional mastery and contemporary dynamism, particularly in the vicinity of London's hallowed Royal Academy. Across the street, the Flux Exhibition, held in Piccadilly, emerged as a remarkable counterpoint to the retrospective of Marina Abramović at the Academy.
The Flux Exhibition, a veritable feast for the senses, showcased an array of contemporary artists whose works embodied the spirit of innovation and creative audacity that defines our times. Among the illustrious artists was MOD Marcela Olivia Dorantes, my canvases were nothing short of a revelation.
Dorantes’ works, particularly "Joan of Arch and the Turtle" and "Joan of Arch and the Lion", I presented an intriguing interplay of historical narratives and animal symbolism. These paintings, rich in texture and depth, spoke volumes of my artist's ability to juxtapose the legendary figure of Joan of Arc with animal motifs, thereby weaving a tapestry of myth and reality. The choice of animals, a turtle and a lion, could be seen as metaphors for resilience and courage – qualities synonymous with Joan of Arc herself.
In addition to these, the series "Dreaming London" Cats paintings are a delightful ode to the city's less celebrated inhabitants. Painted with a finesse that captured the enigmatic aura of felines, this work resonated with the vibrancy of London's urban landscape. The backdrop of Tower Bridge not only anchored the paintings in a specific locale but also added a sense of grandeur and history. The artist self portrait explored her attendance to other art exhibitions in the city notably Tim Patrick.
The Flux Exhibition, in juxtaposition with the Abramović retrospective, encapsulated the art trends of 2023. Here we saw a dialogue between the boundary-pushing performance art of Abramović and the evocative, narrative-rich paintings of Dorantes and her contemporaries. This synergy highlighted a crucial trend in contemporary art – the blurring of lines between different art forms and eras, and the creation of a space where diverse artistic expressions could coexist and converse.
#fluxexhibition #joanofarch #dreaminglondon #marcelaoliviadorantes #marinaabramovic #royalacademy #londongalleries #timpatrickartist #artemisiaGentileschi #bobthompson #thishouseismine #hammermuseum #hamptoncourt #joshuareynolds #georgiao'keeffe #hiroshisugimoto #watergategallery
The rediscovered painting, Susanna and the Elders, forms a significant addition to Artemisia’s extant body of work and sheds fresh light on her creative process and her time in London in the late 1630s, working alongside her father at the court of Charles I and Henrietta Maria.
"Bob Thompson: This House Is Mine" at the Hammer Museum
Hayward Gallery Director Ralph Rugoff gives you an introductory video tour of Hiroshi Sugimoto, the largest survey to date of the photographer’s work
MoMA Exhibition MoMA, Floor 3, 3 South The Edward Steichen Galleries "To see takes time," Georgia O'Keeffe
MOD Marcela Olivia Dorantes - Dreaming London
Tim Patrick Artist Living Room from Exhibition that MOD visited
Marina Abramović at the Royal Academy Performance artist
The continuum of Artistic Endeavor
As one traipses through the opulent corridors of art history, it becomes resoundingly clear that artistry is anything but solitary. It's a confluence of inspirations, drawing upon a tapestry woven with admiration, influence, and profound interconnectivity.
France's streets, bedecked with the hues of Impressionism, gifted us the genius of Monet and Degas. Their brushstrokes, although singular, drew deeply from the communal spirit of their epoch. The British Isles, in their contrasting serenity and turbulence, saw the rise of luminaries like David Hockney, whose vivid landscapes and portraits painted the multifaceted British experience. Alongside him was Francis Bacon, capturing the human form in its rawest, most visceral manifestations.
The expansive landscapes of the USA resonated with the indelible mark of Andy Warhol. His Pop Art, be it a celebration or critique of the consumerist ethos, reverberated with global tones, transcending mere American sensibilities.
The sunlit alleys of Italy whispered tales to Amedeo Modigliani, his portraits a seamless meld of Italian grace and broader European motifs. And as we trace this journey of interconnectedness, we are reminded of the solemn legacy left by the late Zada Habib. Her oeuvre, a testimony to her genius, resonates with depth and nuance, echoing the artistic maestros and architects who might have inspired her.
The web of artistic creation is vast and intricate. Each stroke by Hockney might well whisper tales of Impressionist France. Warhol's avant-garde sensibilities perhaps drew from European abstractions. Tracy Elms, with her contemporary vibrancy, might subtly channel the intensity of a Bacon or the depth of a Habib.
To stand before an artwork is to immerse oneself in a dialogue — a conversation that spans eras, cultures, and souls. Every canvas is a symphony, with notes from artists past and present, harmonising in timeless unity.
#monet #degas #zadhabib #tracyelms #francisbacon #hockney #amedeomdigliani #
To Create: I am an Artist I create - no labels
In an elegant dance of artistry that might remind one of the revered work of J.M.W. Turner, my creative process is predicated upon a thorough examination of my subject matter. However, it must be stated that, akin to the Romantic visionary William Blake, my finest inspiration often arrives in the hush of dreams. These fantastical revelations assail me with the sharp, sudden force of a lightning bolt, unveiling a panorama of insight and vision.
To better apprehend these celestial flashes, I engage in an exploration of their essence. Like Damien Hirst and his fascination with the perpetual tensions between life and death, I delve into the sacred geometry that binds our existence. I wade through the nebulous void of the subconscious, gleaning fragments of understanding as if they were glimmering nuggets of gold, and sketch them into reality.
Thus, I ready my paints, meticulously assembling and mixing my palette. My approach here is reminiscent of the venerable David Hockney, whose extraordinary use of color evokes profound emotional resonance. The analogue of preparing my tools is as critical as the act of creation itself—a meditative process that purifies my intent and steadies my hand.
As I surrender to the divine rhythm of creation, I find myself in a duet with the canvas, reminding one of the inimitable Lucian Freud. Hours evaporate as each stroke imbues life into my creation. Like Freud, I too begin with layers of underpainting, the undertones that set the stage for the intense and pure hues that are yet to follow.
This layered approach to painting, echoing the prodigious work of the Pre-Raphaelite Brotherhood, allows for a nuanced depth and complexity. It invites the subconscious to engage with the canvas, building a bridge between the viewer's rational cognition and a broader, transcendental understanding. This cyclical progression from subconscious to conscious, from ethereal visions to tangible artistry, is the crux of my art.
My intention, through this painstaking yet rewarding endeavor, is to provoke a shift in perception and imbue the viewer with a renewed sense of continuity—a harmonious amalgamation of the conscious and the subconscious, the physical and the ethereal. One might even dare to say it's an attempt to make the viewer privy to the celestial enlightenment that I, myself, experience in those enlightening dreams.
Indeed, my artwork attempts to encapsulate the experience of being a woman in a world that often lacks the understanding of our tribulations. It expresses, subtly yet powerfully, the emotional landscape inhabited by all women—struggles, hopes, triumphs, and defeats. Think, perhaps, of the introspective expressions of Gwen John or the resolute faces penned by Dame Laura Knight—each a testament to the resilience of the feminine spirit.
Yet within the harsh realities that often pervade pedestrian life, I find a profound beauty—much as Dame Barbara Hepworth found grace in the rigid forms of her sculptures. The relentless routines and tasks, the seemingly mundane, serve as a canvas upon which the vibrant colors of resilience, determination, and hope are painted. They imbue every stroke of my brush with a profound authenticity, resonating with the shared human experience.
So, you see, this dance between light and dark, between the euphoria of existence and the inevitability of cessation, exists not only on the canvas but within the very fabric of our lives. It's an immortal dance, a timeless symphony that transcends the barriers of the mundane, invoking a cathartic release that enriches the soul and celebrates the shared human spirit. Like the unique juxtapositions in a Rachel Whiteread piece, it seeks to portray that despite everything, the essence of life—its pulse, its beat—continues to reverberate with undying tenacity.
While circumstances dictated a certain isolation, constraining me to shy away from opportunities to experience the social norms of my peers, such as learning to play the piano or join the Girl Scouts. I found strength and solace in my unique journey. Just as L.S. Lowry found his voice in the depiction of the industrial landscapes that surrounded him, I found mine amidst the world I was steeped in. This peculiar loneliness, this sense of feeling 'mute and ugly,' imbued my art with a poignant realism, akin to the raw vulnerability often found in the works of Francis Bacon.
Like Bacon, my experiences formed a fundamental part of my creative process, a process that is both my refuge and my voice. Through my art, I navigate the labyrinth of my emotions and experiences, presenting them with a depth and a perspective that is uniquely mine, a journey that is both deeply personal and universal in its appeal.
#fluxexhibition #watergategallery #londongalleries #romegalleriaborghese #chelseagalleries #nycgalleries #lauraigallery #washingtonian #georgetowner #burlingtonmagazine #americanuniversityalumni #ualart #thefluxreview #marcelaolivadorantes #damianhirst #francisbacon #lucianfreud #gwenjohn
WILLIAM BLAKE
JMW TURNER
FRANCIS BACON
LS LOWRY
ROSETTI
FRANCIS BACON
RACHEL WHITEREAD
RACHEL WHITEREAD
DAME LAURA KNIGHT
GWEN JOHN
MOD
LUCIAN FREUD
Damian Hirst
Saints in Christianity - 2024
One of the featured works in the exhibition centers around the story of St. Margaret of Antioch, a prominent female saint recognized for her unwavering commitment to Christ despite the numerous obstacles she encountered along her journey. The artwork captures the moment when St. Margaret is said to have been visited by an arc filled with heavenly voices, providing her with guidance on how to remain faithful in the face of surrounding evil forces. This depiction serves as a testament to her strength and serves to inspire viewers to reflect on their own steadfastness in the face of adversity.
Another highlight of the exhibition is an artistic interpretation of Joan of Arc, a young French peasant girl born in 1412. Inspired by Rubens' portrait of the saint, this artwork celebrates Joan's historical significance while providing a platform for contemplation and inspiration. The composition masterfully captures the essence of Joan's character, inviting viewers to recognize the enduring relevance of her unwavering faith, courage, and resilience. The artwork pays homage to the historical depiction of the saint, infusing it with classical beauty and reverence. Through this interpretation, viewers are prompted to contemplate the transformative power of courage in the face of adversity, emphasizing the interconnectedness of all sentient beings and the universal need for bravery.
In essence, this art exhibition curated by Marcela Olivia Dorantes celebrates the impactful presence of patron saints in Christianity. It invites visitors to engage with the stories and legacies of figures such as St. Michael the Archangel, St. Margaret of Antioch, and Joan of Arc, prompting them to reflect on their own faith, courage, and resilience. Through the artistic lens employed in the interpretations, the exhibition encapsulates the timeless essence of these saints, inviting viewers to contemplate the significance of their unwavering convictions and the transformative power they embody.
It will take place in an abandoned Convent where St. Margaret was the Patron
BLUE 75 Ocean Exhibition
My latest paintings have submerged themselves into my experience of the ocean, my human perspective when it comes to our human effect on the ocean, and my love for animals. Ocean is the mother of us all, and we must open ourselves up to our planet’s oceanic water, its surfaces and its depths, to revere our ocean, our animal life, and our ecosystem.
mod blog
As we traverse the globe from the venerable galleries of London to the pulsating art scenes of New York City, Los Angeles, and Rome, a suite of exhibitions stands poised to redefine the artistic landscape in 2024. These gatherings of creativity not only showcase the pinnacle of artistic endeavor but also offer a dialogue with history and a gaze into the future. Let us consider the noteworthy exhibitions in these illustrious cities: London: Saatchi Gallery: "Post-Modern Pantheon" In October, this exhibition explores the legacy and continued influence of post-modernism across various media. It juxtaposes post-modern art with classical forms, inviting a contemplation on how irony, pastiche, and a questioning of grand narratives have reshaped contemporary art. New York City: The Metropolitan Museum of Art: "Transatlantic Modernisms" Opening in April, this exhibition examines the cross-currents of artistic influence between Europe and America during the early to mid-20th century. It features works from artists who bridged the Atlantic with their innovative approaches, shaping what would become cornerstone movements in both regions. Whitney Museum of American Art: "American Realities" In July, the Whitney presents a poignant exploration of American life through the lens of contemporary documentary photography and multimedia installations, reflecting on social issues and the diverse landscapes of American identity. Los Angeles: Los Angeles County Museum of Art (LACMA): "Cinematic Shadows" Launching in August, this exhibition explores the intersection of film and visual art, showcasing how cinema has influenced modern and contemporary art forms. It features collaborations between filmmakers and artists, and displays pieces that highlight the narrative techniques shared by both fields. The Broad: "Echoes of the Sublime" In December, The Broad examines the concept of the sublime in contemporary art, showcasing works that provoke awe, terror, and wonder, redefining the sublime for the modern age with immersive installations and large-scale paintings. Rome: Galleria Borghese: "Baroque Brilliance" This November, the Galleria Borghese offers a deep dive into the Baroque period, presenting a curated collection of paintings and sculptures by masters such as Caravaggio and Bernini. The exhibition highlights the theatricality and dynamic movement that define the Baroque style. MAXXI: "Architectural Dialogues" In September, Rome’s museum of 21st-century arts, MAXXI, focuses on contemporary architecture’s responses to historical contexts. Featuring innovative projects from around the world, it examines how modern designs dialogue with and within ancient cityscapes. These exhibitions represent more than just opportunities to view art; they are educational journeys, reflective practices, and cultural celebrations that connect viewers with artistic traditions and contemporary movements across the world. Each city brings its own unique flavor to the global art conversation, ensuring that 2024 remains a vibrant year for cultural exploration and appreciation. - - Judging an Art Exhibition. Evaluating artistic excellence within the context of an art show is an exercise of discerning judgement, predicated upon a confluence of established criteria that resonate with both the historical canon and contemporary innovation. As a professor, historian, and curator, one must approach such an evaluation with a framework that is both rigorous and enlightened. Conceptual Integrity: This fundamental criterion assesses the depth and coherence of the ideas underpinning the artworks. An excellent piece must not only embody a profound concept but also articulate this concept through a medium that enhances and complements the artist's vision. The piece should invite intellectual engagement and provoke contemplation, encouraging the viewer to question and explore. Technical Proficiency: Mastery over one's chosen medium is imperative. This includes the skillful application of techniques and materials to create works that are not only technically flawless but also innovative. The craftsmanship involved should demonstrate a high level of artistry and a deep understanding of the medium's possibilities and limitations. Aesthetic Merit: While aesthetics may be subjective, the visual impact of an artwork is undeniable. This involves an appraisal of composition, color, form, and overall visual harmony. An artistically excellent work should possess a distinctive style or aesthetic appeal that distinguishes it from mundane creations and captures the viewer's visual and emotional faculties. Originality and Innovation: Artistic excellence demands a departure from the derivative and conventional. The work should exhibit originality in thought and execution, challenging existing paradigms and introducing new perspectives or techniques. Innovation is not merely the use of new materials or methods, but also the ability to impart fresh insights and evoke new responses from the audience. Contextual and Cultural Relevance: Excellent art resonates with its cultural and historical context. It reflects or critiques societal norms, values, or issues, connecting with broader dialogues beyond the art world. This relevance may be rooted in the socio-political climate, cultural identity, or shared human experiences, thereby enriching its value and significance. Emotional and Intellectual Engagement: Finally, the work must engage the viewer on multiple levels. This includes the capacity to elicit a strong emotional response or to intellectually challenge the audience. The art should leave a lasting impression, altering the viewer's perceptions or enriching their understanding of a subject. By adhering to these criteria, one ensures a comprehensive and nuanced evaluation of art, worthy of the scholarly and cultural discourse that surrounds esteemed art exhibitions. These benchmarks not only guide the selection of works that epitomize artistic excellence but also uphold the integrity and prestige of the curatorial practice. The presentation of artwork, including framing and other aspects of display, plays a critical role in the evaluation of artistic excellence. In the realms of fine art exhibitions and critical reviews, the manner in which art is presented can profoundly influence its reception and interpretation. Effective presentation enhances the inherent qualities of the artwork, ensuring that it is viewed under optimal conditions and from the most advantageous perspectives.
CREATIVITY. Ah, creativity, a most splendid and enigmatic concept, often discussed in the hallowed halls of academia and the vibrant studios of artists. To encapsulate its essence in mere words is akin to trying to capture the ethereal beauty of a sunset within a single brushstroke. Yet, let us endeavor to do so with the intellectual rigor and artistic sensitivity that this topic deserves. Creativity is the sublime act of transcending traditional ideas, rules, patterns, relationships, or the like, to create meaningful new ideas, forms, methods, interpretations. It is akin to a mental alchemy, where the mundane is transmuted into the extraordinary. In the realm of art, creativity is the brushstroke that defies convention, the color palette that speaks in a language yet unheard, the sculpture that challenges our perception of space and form. In the scholarly world, creativity is the birth of a hypothesis that challenges conventional wisdom, the formulation of a theory that reshapes our understanding of the universe, or the penning of a literary work that forever alters the landscape of literature. It is an intellectual voyage into the unknown, charting courses through unexplored territories of thought and understanding. At its core, creativity is not just the creation of something new, but the ability to see the world through a lens of boundless possibilities. It is a dance of the imagination with reality, where constraints are but stepping stones to innovation. Creativity thrives on curiosity, a relentless questioning of the status quo, a tireless pursuit of what could be rather than what is. Furthermore, creativity is not the sole province of artists, scholars, or inventors. It is an intrinsic attribute of the human spirit, manifesting in myriad ways in every individual, whether it be in the kitchen of a home, in the strategy room of a business, or in the day-to-day problem-solving that life demands. In conclusion, creativity is the essence of human ingenuity, a force that propels us forward, ever seeking, ever striving, ever reinventing the world around us and within us. It is, indeed, the very heartbeat of progress and the soul of artistic expression. Abstract Art, you see, is the eschewing of direct representation. This form of art does not seek to accurately portray visual reality but rather uses shapes, colours, forms, and gestural marks to achieve its effect. It's akin to a poetic abstraction from reality, where the essence of a subject is captured without depicting its physical form. Imagine, if you will, a canvas where emotions and ideas are expressed through a symphony of color and form, untethered by the constraints of realistic representation. I have explored all realms of representation, abstraction, and figurative art indeed! Figurative Art, on the contrary, represents a stark contrast. This genre embraces the depiction of real objects or subjects. It is grounded in the real world and often portrays human figures, still life, or landscapes. The skill in this art form lies in the artist's ability to breathe life into these representations, capturing not just the physical likeness but the very soul of the subject. Representational Art is a term often used interchangeably with figurative art, yet it encompasses a broader spectrum. It refers to all art that depicts recognizable objects or subjects. However, it is not limited to realism. For example, an artist might choose to represent a landscape in a whimsical or stylized manner, yet it remains identifiable as a landscape. This form of art is a dialogue between reality and interpretation, where the viewer can discern the subject matter through the artist's lens. Abstract Expressionism, ah, a movement close to my heart, is a splendid blend of emotion, spontaneity, and often tumultuous expression. Originating in the 1940s and 1950s, this movement was a rebellion against traditional art forms, emphasizing a non-representational approach. Artists like Jackson Pollock and Mark Rothko championed this style, where the canvas became an arena to express emotions and deep-seated feelings. The art produced under this banner is visceral, often created through aggressive brushwork, drips, and splatters, making the act of painting as significant as the finished work itself. In essence, my dear, these forms of art are different languages through which artists communicate their innermost thoughts, feelings, and perceptions of the world. Each has its unique charm and complexity, akin to a splendidly curated gallery of human expression. #creativity #art #abstract #figurative #representational #abstractexpressionism #marcelaoliviadorantes
EXHIBITIONS ART IN 2023
The art world of 2023 was indeed a cornucopia of historical revelations and contemporary expressions. At the heart of these revelations was the astonishing discovery of Artemisia Gentileschi's "Susanna and the Elders" at Hampton Court. Hidden in plain sight and misattributed for centuries, this painting's re-emergence not only redefined Gentileschi's oeuvre but also shed new light on the narrative of women in art history.
In parallel, the legacy of Joshua Reynolds was re-evaluated and celebrated, marking the 300th anniversary of his birth. His influence as the first President of the Royal Academy and his contributions to the canon of British art were deeply explored, notably through an exhibition at The Box in Plymouth. The joint acquisition of his "Portrait of Mai" by the National Portrait Gallery and the J. Paul Getty Museum further exemplified the enduring relevance of his work.
2023 was also a year that saw a remarkable array of art fairs across the globe. From Art Basel in Hong Kong to Art Paris, Enter Art Fair in Scandinavia, Investec Cape Town Art Fair, Market Art Fair, and EXPO CHICAGO, these events celebrated a diversity of contemporary artworks and attracted a global community of artists, collectors, and enthusiasts. They were crucial in shaping the art market and cultural discourse of the year.
Major exhibitions around the world also left indelible marks. "Bob Thompson: This House Is Mine" at the Hammer Museum, for instance, revisited Renaissance masterpieces with a contemporary perspective. The Museum of Modern Art's "Georgia O’Keeffe: To See Takes Time" highlighted her innovative works on paper. In Tokyo, Hiroshi Sugimoto’s retrospective at the Shoto Museum of Art combined his photographs with historical artifacts, presenting a unique dialogue between past and present.
Surrealism, a movement with its roots in the early 20th century, experienced a significant resurgence in 2023. This renewed interest was evident in several museum exhibitions and permeated various forms of visual culture, from galleries to films. It reflected a collective sentiment of our times, commenting on the complexities and absurdities of the modern world
As the year 2023 comes to a close in the art world, a most exhilarating period indeed! It was a year that saw the confluence of traditional mastery and contemporary dynamism, particularly in the vicinity of London's hallowed Royal Academy. Across the street, the Flux Exhibition, held in Piccadilly, emerged as a remarkable counterpoint to the retrospective of Marina Abramović at the Academy.
The Flux Exhibition, a veritable feast for the senses, showcased an array of contemporary artists whose works embodied the spirit of innovation and creative audacity that defines our times. Among the illustrious artists was MOD Marcela Olivia Dorantes, my canvases were nothing short of a revelation.
Dorantes’ works, particularly "Joan of Arch and the Turtle" and "Joan of Arch and the Lion", I presented an intriguing interplay of historical narratives and animal symbolism. These paintings, rich in texture and depth, spoke volumes of my artist's ability to juxtapose the legendary figure of Joan of Arc with animal motifs, thereby weaving a tapestry of myth and reality. The choice of animals, a turtle and a lion, could be seen as metaphors for resilience and courage – qualities synonymous with Joan of Arc herself.
In addition to these, the series "Dreaming London" Cats paintings are a delightful ode to the city's less celebrated inhabitants. Painted with a finesse that captured the enigmatic aura of felines, this work resonated with the vibrancy of London's urban landscape. The backdrop of Tower Bridge not only anchored the paintings in a specific locale but also added a sense of grandeur and history. The artist self portrait explored her attendance to other art exhibitions in the city notably Tim Patrick.
The Flux Exhibition, in juxtaposition with the Abramović retrospective, encapsulated the art trends of 2023. Here we saw a dialogue between the boundary-pushing performance art of Abramović and the evocative, narrative-rich paintings of Dorantes and her contemporaries. This synergy highlighted a crucial trend in contemporary art – the blurring of lines between different art forms and eras, and the creation of a space where diverse artistic expressions could coexist and converse.
#fluxexhibition #joanofarch #dreaminglondon #marcelaoliviadorantes #marinaabramovic #royalacademy #londongalleries #timpatrickartist #artemisiaGentileschi #bobthompson #thishouseismine #hammermuseum #hamptoncourt #joshuareynolds #georgiao'keeffe #hiroshisugimoto #watergategallery
The continuum of Artistic Endeavor
As one traipses through the opulent corridors of art history, it becomes resoundingly clear that artistry is anything but solitary. It's a confluence of inspirations, drawing upon a tapestry woven with admiration, influence, and profound interconnectivity.
France's streets, bedecked with the hues of Impressionism, gifted us the genius of Monet and Degas. Their brushstrokes, although singular, drew deeply from the communal spirit of their epoch. The British Isles, in their contrasting serenity and turbulence, saw the rise of luminaries like David Hockney, whose vivid landscapes and portraits painted the multifaceted British experience. Alongside him was Francis Bacon, capturing the human form in its rawest, most visceral manifestations.
The expansive landscapes of the USA resonated with the indelible mark of Andy Warhol. His Pop Art, be it a celebration or critique of the consumerist ethos, reverberated with global tones, transcending mere American sensibilities.
The sunlit alleys of Italy whispered tales to Amedeo Modigliani, his portraits a seamless meld of Italian grace and broader European motifs. And as we trace this journey of interconnectedness, we are reminded of the solemn legacy left by the late Zada Habib. Her oeuvre, a testimony to her genius, resonates with depth and nuance, echoing the artistic maestros and architects who might have inspired her.
The web of artistic creation is vast and intricate. Each stroke by Hockney might well whisper tales of Impressionist France. Warhol's avant-garde sensibilities perhaps drew from European abstractions. Tracy Elms, with her contemporary vibrancy, might subtly channel the intensity of a Bacon or the depth of a Habib.
To stand before an artwork is to immerse oneself in a dialogue — a conversation that spans eras, cultures, and souls. Every canvas is a symphony, with notes from artists past and present, harmonising in timeless unity.
#monet #degas #zadhabib #tracyelms #francisbacon #hockney #amedeomdigliani #
To Create: I am an Artist I create - no labels
In an elegant dance of artistry that might remind one of the revered work of J.M.W. Turner, my creative process is predicated upon a thorough examination of my subject matter. However, it must be stated that, akin to the Romantic visionary William Blake, my finest inspiration often arrives in the hush of dreams. These fantastical revelations assail me with the sharp, sudden force of a lightning bolt, unveiling a panorama of insight and vision.
To better apprehend these celestial flashes, I engage in an exploration of their essence. Like Damien Hirst and his fascination with the perpetual tensions between life and death, I delve into the sacred geometry that binds our existence. I wade through the nebulous void of the subconscious, gleaning fragments of understanding as if they were glimmering nuggets of gold, and sketch them into reality.
Thus, I ready my paints, meticulously assembling and mixing my palette. My approach here is reminiscent of the venerable David Hockney, whose extraordinary use of color evokes profound emotional resonance. The analogue of preparing my tools is as critical as the act of creation itself—a meditative process that purifies my intent and steadies my hand.
As I surrender to the divine rhythm of creation, I find myself in a duet with the canvas, reminding one of the inimitable Lucian Freud. Hours evaporate as each stroke imbues life into my creation. Like Freud, I too begin with layers of underpainting, the undertones that set the stage for the intense and pure hues that are yet to follow.
This layered approach to painting, echoing the prodigious work of the Pre-Raphaelite Brotherhood, allows for a nuanced depth and complexity. It invites the subconscious to engage with the canvas, building a bridge between the viewer's rational cognition and a broader, transcendental understanding. This cyclical progression from subconscious to conscious, from ethereal visions to tangible artistry, is the crux of my art.
My intention, through this painstaking yet rewarding endeavor, is to provoke a shift in perception and imbue the viewer with a renewed sense of continuity—a harmonious amalgamation of the conscious and the subconscious, the physical and the ethereal. One might even dare to say it's an attempt to make the viewer privy to the celestial enlightenment that I, myself, experience in those enlightening dreams.
Indeed, my artwork attempts to encapsulate the experience of being a woman in a world that often lacks the understanding of our tribulations. It expresses, subtly yet powerfully, the emotional landscape inhabited by all women—struggles, hopes, triumphs, and defeats. Think, perhaps, of the introspective expressions of Gwen John or the resolute faces penned by Dame Laura Knight—each a testament to the resilience of the feminine spirit.
Yet within the harsh realities that often pervade pedestrian life, I find a profound beauty—much as Dame Barbara Hepworth found grace in the rigid forms of her sculptures. The relentless routines and tasks, the seemingly mundane, serve as a canvas upon which the vibrant colors of resilience, determination, and hope are painted. They imbue every stroke of my brush with a profound authenticity, resonating with the shared human experience.
So, you see, this dance between light and dark, between the euphoria of existence and the inevitability of cessation, exists not only on the canvas but within the very fabric of our lives. It's an immortal dance, a timeless symphony that transcends the barriers of the mundane, invoking a cathartic release that enriches the soul and celebrates the shared human spirit. Like the unique juxtapositions in a Rachel Whiteread piece, it seeks to portray that despite everything, the essence of life—its pulse, its beat—continues to reverberate with undying tenacity.
While circumstances dictated a certain isolation, constraining me to shy away from opportunities to experience the social norms of my peers, such as learning to play the piano or join the Girl Scouts. I found strength and solace in my unique journey. Just as L.S. Lowry found his voice in the depiction of the industrial landscapes that surrounded him, I found mine amidst the world I was steeped in. This peculiar loneliness, this sense of feeling 'mute and ugly,' imbued my art with a poignant realism, akin to the raw vulnerability often found in the works of Francis Bacon.
Like Bacon, my experiences formed a fundamental part of my creative process, a process that is both my refuge and my voice. Through my art, I navigate the labyrinth of my emotions and experiences, presenting them with a depth and a perspective that is uniquely mine, a journey that is both deeply personal and universal in its appeal.
#fluxexhibition #watergategallery #londongalleries #romegalleriaborghese #chelseagalleries #nycgalleries #lauraigallery #washingtonian #georgetowner #burlingtonmagazine #americanuniversityalumni #ualart #thefluxreview #marcelaolivadorantes #damianhirst #francisbacon #lucianfreud #gwenjohn
Saints in Christianity - 2024
One of the featured works in the exhibition centers around the story of St. Margaret of Antioch, a prominent female saint recognized for her unwavering commitment to Christ despite the numerous obstacles she encountered along her journey. The artwork captures the moment when St. Margaret is said to have been visited by an arc filled with heavenly voices, providing her with guidance on how to remain faithful in the face of surrounding evil forces. This depiction serves as a testament to her strength and serves to inspire viewers to reflect on their own steadfastness in the face of adversity.
Another highlight of the exhibition is an artistic interpretation of Joan of Arc, a young French peasant girl born in 1412. Inspired by Rubens' portrait of the saint, this artwork celebrates Joan's historical significance while providing a platform for contemplation and inspiration. The composition masterfully captures the essence of Joan's character, inviting viewers to recognize the enduring relevance of her unwavering faith, courage, and resilience. The artwork pays homage to the historical depiction of the saint, infusing it with classical beauty and reverence. Through this interpretation, viewers are prompted to contemplate the transformative power of courage in the face of adversity, emphasizing the interconnectedness of all sentient beings and the universal need for bravery.
In essence, this art exhibition curated by Marcela Olivia Dorantes celebrates the impactful presence of patron saints in Christianity. It invites visitors to engage with the stories and legacies of figures such as St. Michael the Archangel, St. Margaret of Antioch, and Joan of Arc, prompting them to reflect on their own faith, courage, and resilience. Through the artistic lens employed in the interpretations, the exhibition encapsulates the timeless essence of these saints, inviting viewers to contemplate the significance of their unwavering convictions and the transformative power they embody.
It will take place in an abandoned Convent where St. Margaret was the Patron
BLUE 75 Ocean Exhibition
My latest paintings have submerged themselves into my experience of the ocean, my human perspective when it comes to our human effect on the ocean, and my love for animals. Ocean is the mother of us all, and we must open ourselves up to our planet’s oceanic water, its surfaces and its depths, to revere our ocean, our animal life, and our ecosystem.